Category Archives: children’s books

Young Fu of the Upper Yangtze

I spent last night re-reading the 1933 Newbery Medal Winner, Young Fu of the Upper Yangtze. I don’t think I can improve on the judgment of Katherine Paterson: “Young Fu of the Upper Yangtze won the Newbery Medal in 1933, not only because it was historically and culturally accurate, but because it was and is a really good read.”

The story is set in and around Chunking, China in the 1920s. There is a reference to the death of Sun Yat Sen (which occurred in 1925) midway through Fu’s three-year apprenticeship. Our protagonist is Fu, and the story begins as he and his mother are moving from the countryside to the city of Chungking. Fu is an only child, and his father has recently died. He is fourteen. His mother, seeing only poor prospects for them in the country, has arranged for him to be apprenticed to the coppersmith Tang. Tang proves to be both a skilled craftsmen and a shrewd businessman. He is also wise in his dealings with the apprentices and journeymen who work for him.

The story arc of the book is Fu’s growth from an impulsive youth of fourteen to a confident and skilled journeyman of eighteen. The three anchors in his life are Tang, his mother, and the scholar Wang who lives in the room above and kindly agrees to teach Fu. Together they practice the difficult skills of reading and writing the characters of Chinese by studying the teachings of Confucius. Fu grows through a series of small but significant incidents that test his handling of money and time, his control of his temper and tongue, and his self-discipline in mastering the skills of a coppersmith. Some tasks he revels in, some he finds tedious. Tang watches and misses nothing and helps Fu to face his own tasks with discipline.

Also playing a significant part in the story is an un-named “foreign lady” – who works in the foreigner’s hospital in Chungking. Fu bravely helps in fighting a fire at the hospital when others are fearful and superstitious. His friendship with the “foreign lady” helps him in two subsequent incidents – once when his best friend among the other apprentices becomes ill – and can only be saved by the foreigners medicine; and once when Fu is seeking refuge for himself and an older couple from a sudden flash flood of the unpredictable Yangtze River.

It IS a really good read. It is a classic tale of growing up. Fu, his mother, the coppersmith, and the scholar are all richly drawn. We learn the details of their lives and we understand why and how they are able to help Fu. The ending is upbeat and quite satisfying.

This particular Newbery winner was unavailable for some years. Last year, a hardback edition was re-released. And just last month, a new paperback edition was published by Square Fish, an imprint of MacMillan. The continued publishing history of Young Fu, in print again 75 years after its first release is testimony to the quality of all the Newbery Medal winners. The paperback edition has a number of nice additions. In addition to the new foreword by Katherine Paterson (who is also a Newbery winning author born in China) there is the original introduction by Pearl S. Buck. At the end of the book are 18 pages of cultural notes by Professor Daniel J. Meissner of Marquette University. And not to be missed is Elizabeth Foreman Lewis’ Newbery Medal Acceptance Speech from 1933 – worth reading in its own right.

Young Fu of the Upper Yangtze is a 306 page paperback, $7.95. It can be ordered directly from Greenleaf Press (along with all of the other Newbery Medal winners through the years).

– Rob Shearer
Director, Schaeffer Study Center
Publisher, Greenleaf Press

The World Made New

The World Made NewI always approach books about the age of exploration with a great deal of caution. Political correctness, the scourge of our age, often infects these books to such a degree as to make them useless. Yes, I know that the Europeans were not always kind and benevolent, but neither were they devils (at least only a few were). I know that the native Americans had a more developed culture than the Europeans gave them credit for, but they were not the noble savages of Rousseau’s fantasy.

So, I was impressed as I was reading The World Made New, published late last year by The National Geographic Society. The World Made New manages to steer a fairly steady middle course and accurately report the virtues and faults of all the players in the dramatic encounter between the new world and the old world in the 1500s. Here’s a representative paragraph from the last page of the text:

“The Spaniards with their sailing ships, horse, muskets, and germs were no less foreign to the peoples of the Americas than space aliens would be to us. All the more remarkable, then, that the Aztec noblewoman Malinche quickly learned Spanish and could translate for Cortés. All the more astonishing that Africans ripped out of their homelands and dropped into the Americas invented ways to live and propser. All the more inspiring that men of conscience, such as the Spanish priest Bartoleme De Las Casas, devoted themselves to defending the Americans from other Spaniards.”

A central theme of the text is that the voyages of the 1500s affected the entire globe. The impact was not one-sided, nor confined to the new world. The final third of the book is entitled “A World Joined,” and it is the most valuable (and thought-provoking) part of the book. The authors explore the ways in which contact between cultures changed everyone. Diseases were exchanged (with disastrous consequences all over the world); Plants and animals were exported and transplanted; Populations emigrated, exploded, and collapsed; Diets changed; New World gold and silver flooded the old world economy – with dramatic economic effects. Again, a sentence from the text will illustrate its originality, thoughtfulness, and balance:

“In 1491 no one in North or South America had ever seen a horse, cow, or gun; not a single person living in Europe, Asia, or Africa had ever eaten a tomato, a potato, or an ear of corn.”

Anyone studying or teaching the 1500s, the Age of Exploration (which occurs simultaneously with the Protestant Reformation) would be well served by reading this book. The text is targeted for the upper elementary grades (probably 5th-8th), but high school students and adults will find the information arresting and thought-provoking.

The World Made New is a 64 page hardback, 10.4″ x 9.75″ with color illustrations and maps throughout. The price is $17.95 and it can be ordered directly from Greenleaf Press.

– Rob Shearer
Director, Schaeffer Study Center
Publisher, Greenleaf Press

The Hero Schliemann

SchliemannThe Hero Schliemann
The Dreamer Who Dug for Troy

by Laura Amy Schlitz

I found this delightful biography after Schlitz won this year’s Newbery Medal for her Good Masters! Sweet Ladies! Laura Amy Schlitz is a delightful writer, with a real knack for making historical figures real by sketching them with the details of their lives that help us understand who they really were.

In Heinrich Schliemann, she has a fascinating subject. Schliemann was born in 1822 in Germany and has been variously described as a brilliant archaeologist, a liar, a fraud, a treasure-hunter, and an astute, self-taught classical scholar. There’s evidence that he was all of those things.

Schlitz does an excellent job of presenting the contradictions and faults in his life, while at the same time celebrating his remarkable achievements. Schliemann is the man who found Troy. While archaeologists and classical historians were skeptical over whether such a place actually existed, Schliemann took his dog-eared copy of Homer, went to Turkey, and started digging. He found Troy. In the process, he probably clumsily obliterated a great deal of what he was looking for, but almost everyone now admits that he found Troy. He was quick to label the jewels and gold he found as Priam’s Treasure. It probably wasn’t. And Schliemann undoubtedly committed a crime when he smuggled it out of Turkey, but what he found remains remarkable. For many years, Priam’s Treasure was on display at the Pergamon museum in Berlin. It disappeared at the end of World War II, and in 1993 it went on display at the Pushkin Museum in Moscow.

One such find in a lifetime would make an archaeologist famous. But Schliemann moved from Turkey to Greece and began searching for the tomb of Agamemnon – and found it, of course. The site of Mycenae was well-known, but a reference in a classical Greek text to the tombs being within the city walls had been ignored because the space was thought to be too small. Schliemann got permission to dig in the city – and found the tombs. Here’s how Schlitz describes it:

“As Heinrich had hoped, the graves were royal tombs, and they were magnificently rich. Fifteen royal corpses were heaped with gold. The men wore gold death masks and breastplates decorated with sunbursts and rosettes. The women were adorned with gold jewelry. All around the bodies were bronze swords and dagggers inlaid with gold and silver, drinking cups made of precious stones, boxes of gold and sliver and ivory. Once again, Heinrich was half-mad with enthusiasm. “I have found an unparalleled treasure,” he wrote. “All the museums in the world put together do not possess one fifth of it. Unfortunately nothing but the glory is mine.” The tombs of Mycenae were even more spectacular than Priam’s treasure.” The artifacts were exquisite, but that was not all – many of the artifacts matched exactly the descriptions found in Homer’s Iliad. Wine cups, swords, jewels, bracelets, helmets – everything was in keeping with Homer’s Bronze Age world.”

Can you see why I really enjoyed this biography? It works on two levels – as an account of how the historical reality of Homer’s world was confirmed by nineteenth century archeology, AND as an account of a fascinating, bold, entrepreneurial amateur – part huckster, part con-man, but highly intelligent, larger than life and favored by fortune.

The book is a 6.5″ x 9.25″ hardback, 72 pages with black & white illustrations throughout. Reading level is upper elementary / junior high – but high school and adult will find the information quite interesting and the narrative style very engaging.

The Hero Schliemann can be ordered directly from Greenleaf Press for $17.99

– Rob Shearer
Director, Schaeffer Study Center
Publisher, Greenleaf Press

Pharaoh and The Roman Army

The Roman ArmyDavid Kennett is an Australian artist with a strikingly original illustration style. His historical drawings are an arresting mix of light and dark, impressionistic depictions of individuals and groups, and fascinating historical detail. His first book, on The Roman Army (subtitled The Legendary Soldiers Who Created an Empire) was published in 2004. Just this month, his second book, Pharaoh: Life and Afterlife of a God has been released. Each is 48 pages, hardback, full color, 8.5″ x 11″ format.

The Roman Army goes well beyond the standard depiction of the legionary. The inside flyleaves include detailed drawings of 28 “Enemies of Rome” mounted, and on foot. The text and interior illustrations make an compelling case that the Roman soldier (and his equipment, training, supplies, camps, and support corps) were responsible for the rise of Rome as the most powerful nation on earth.

There are detailed illustrations of officers, enlisted men, and auxiliaries. There is a full page devoted to the standard equipment of a legionary. Roman engineering abilities – especially their skill at building bridges, roads and camps is carefully portrayed. The heavy weapons, battle tactics, and siege engines of the Roman army all get full treatment.

The final 2-page spread shows a Roman triumph making it’s way through the forum. The Roman Army is a 48 page hardback, and sells for $17.95.

The text is written for upper-elementary readers through junior high, but even your older students will find the information quite interesting and useful as part of a study of Rome.

PharaohKennett’s second book, Pharaoh, is equally stunning. The dark tones of his drawings depicting the interior decoration of Egyptian tombs contrast sharply with the brighter colors (yellows, blues, & greens) of the scenes set in Egyptian cities and temples.

Pharaoh, as Kennett depicts him, is an imposing and intimidating figure – whether seated on the golden throne, decorated with hieroglyphs and lion’s heads, or standing on a leopard-skin rug holding his staff and glowering. The text focuses on the New Kingdom pharaohs, Seti I and Ramesses II. Their elaborate tombs were prepared (and hidden) in man-made caves carved into the rock floor of the Valley of the Kings.

Ramesses is shown in his roles as priest at the great temple to Amun at Karnak, as the overseer and organizer of Egyptian agriculture in the flood-zone of the Nile valley, as the merchant-prince who controls the import and export of Egyptian goods, and as the commander in chief of the Egyptian army – leading his division of chariots across the desert.

One of the most stunning illustrations is a two-page spread showing the great temple to Ramesses carved into the cliffside above the Nile at Abu Simbel. But Kennett shows us, not the faded sandstone colossi that are still to be seen, but the bright, red-and-white painted figures of pharaoh with a colorful procession of chariots arriving to pay him tribute.

Kennett’s drawings do an excellent job of helping us to imagine what ancient Egypt was really like. The imagines are arresting, and it makes it easy for us to understand why the Greeks and the Romans were so impressed. It also helps us to understand the impact of the Exodus as Moses led his people out of the wealth and comfort of Egypt into the desert and wilderness of Sinai.

The Roman Army is $17.95. Pharaoh is $18.95. Each can be ordered directly from Greenleaf Press.

– Rob Shearer
Director, Schaeffer Study Center
Publisher, Greenleaf Press

The Siege – Revolt in the Netherlands 1585

The Siege – Revolt in the Netherlands 1585

siegeThe Siege: Under Attack in Renaissance Europe is an unusual book. It’s the only children’s book I’ve found (by anyone other than G.A. Henty) that is set in the Netherlands during the 16th century revolt against the Spanish. The revolt had been triggered by an ill-considered attempt on the part of the Spanish Crown to exterminate the Protestant heresy from their northern European territories by introducing the Inquisition. While the book does not go into detail about these matters, it does give a brief introduction to the religious dimension of the revolt.
One reason that a children’s book on this topic is unusual is that the late 16th century is a neglected period in European history. American historians are anxious to get on to Jamestown and Plymouth. English historians are focussed on Elizabeth and the Armada.

We too easily forget what life was like in other places… like the Netherlands. The events of this book are set in 1585 as the Spanish Empire attempts to put down the revolt of the Netherlands. One Dutch town blocks the Spanish army from marching into Holland. What follows is an account of the siege from the arrival of the first troops, over the long weeks of trenching and mining and bombardment, and the final failed assault by the Spanish troops.

The storyline of the book allows a detailed and well illustrated study of 16th-century life during a military siege of a city. Based on a composite of several battles, this uses dramatic storytelling to show life behind the defensive wall as well as in the attacking army’s camp.

Reading level is 5-6 grade, interest level extends through high school and adult. I recommend The Siege as an excellent companion book for any study of the Reformation, Queen Elizabeth, or the story of the Spanish Armada. It is a 56 page paperback, price is $12.95. You can order it directly from Greenleaf Press.
– Rob Shearer
Publisher, Greenleaf Press

Caedmon’s Song

caedmonAn unusual topic for a children’s book, but the result is delightful! Caedmon’s Song by Ruth Ashby tells the story of a 7th century cowherd who became a songwriter. We have only one hymn that he wrote (Caedmon’s Hymn), but it is the earliest known writing in Old English, or Anglo-Saxon. The story of Caedmon is told in Bede‘s Ecclesiastical History of the English People, written in 731 AD.

With a simple, straightforward text, the book tells the story of Caedmon, who works for the abbey taking care of the cows. “He slept with the cows, and he ate with the cows. Cows were his life.” And he hated poetry.

He hated poetry, because he had none. The custom among the villagers on a feast day, was to sit around the hearth at night, “telling stories of heroes and monsters, great battles fought and fortunes made and lost.” They passed the harp around the tables and each took his turn singing a song and telling a story. Caedmon could never think of anything to tell or of any song to sing. No wonder he hated poetry.

When once again on St. Stephen’s feast one year, Caedmon cannot think of a thing to say or sing, he storms out of the hall, furious and embarrassed.

As he slept later that night in the cowshed, a young man came to him in a dream and commanded him to sing him a song. Caedmon opens his mouth and sings a song celebrating God’s creation of the world. That nine-line song is the only one of his writings to survive.

When he sang his song to the others in the village the next day, they were astounded. Here was Caedmon, who hated poetry, singing a new song, which he had composed himself! How was this possible?!

Then it was seen by all even as it was, that to him from God himself a heavenly gift had been given. Then they spoke to him and told some holy story and divine words of knowledge; they bade him then, if he could, that he turn it into poetical rhythm. Then, when he had undertaken it in this manner, then he went home to his house, and came again in the morning, and with the best adorned song he sang and rendered what he was bid (to recite.

Bede‘s biography of Caedmon tells us that he wrote many hymns:

. . . he wrought many songs. And so also many others he made about divine mercy and judgment. In all of them he eagerly sought to pull men away from love of sin and criminal deeds, and to love and to zealously awake to (the doing) of good deeds. For he was a very devout man . . .

The abbess persuaded him to become a monk and she saw to it that he was taught all of the stories from the Bible. And Caedmon spent the rest of his days writing songs to the glory of God.

This is a wonderful story to share with children. It celebrates the gift of creativity that God gives to some of us – and highlights the important role that music and hymns have always played in the worship of the church. It is also a warm and affectionate picture of what life was like in the early centuries of the middle ages – after Rome fell, after the conquest of the Angles and the Saxons, and before the rise of the kingdom of England.

Caedmon’s Song is a $16.00 hardback, 32 pages oversize, color illustrations – available from Greenleaf Press. The publisher’s write-up designates the reading audience as ages 5 and up.

– Rob Shearer
Publisher, Greenleaf Press
Director, Schaeffer Study Center

I, Vivaldi by Janice Shefelman

Prelude:

[youtube=http://www.youtube.com/watch?v=5DWAdJKUlxo]

vivaldiAntonio Vivaldi was born in 1678 in Venice, where he lived for all but the last two years of his life. As he turned 60, his music fell out of favor in the city of his birth and he left for Vienna, where he died a year later in 1741, poor and forgotten.

His life makes a remarkable story, and a new children’s book, I, Vivaldi by Janice and Tom Shefelman tells the story and vividly shows us what life in Venice was like in the 18th century.

Vivaldi was taught to play the violin by his father, who was a musician at St. Mark’s Cathedral. Vivaldi’s father began taking him along to his rehearsals while he was still a young boy. Vivaldi was recognized as a prodigy on the violin.

Vivaldi had been weak and sick at his birth and his mother had vowed that he would become a priest if he survived. He dutifully studied theology and was ordained, but clearly, his heart and passion were for music. While he remained a priest, the Bishop of Venice eventually released him from obligations at the Cathedral and assigned him to teach music at a girl’s orphanage in Venice.

Under his direction, the young girls became some of the most accomplished chamber musicians in all of Europe and attracted visitors from abroad who came to hear them play the original scores Vivaldi had composed for them.

The story is clearly told and the pictures capture both the beauty of Venice and her canals and squares as well as the interior spaces of St. Mark’s and the ornate music halls where Vivaldi played. This would be a great introduction to Vivaldi’s music for students in the elementary grades. The books authors recommend the book especially for ages 7-11.

The hardback book, I, Vivaldi 38 pages, is $18.00 from Greenleaf Press.

– Rob Shearer
Publisher, Greenleaf Press
Director, Schaeffer Study Center

Good Masters! Sweet Ladies! – The 2008 Newbery Medal Winner

good mastersI’m delighted to review the 2008 Newbery Medal Winner, Good Masters! Sweet Ladies! Voices from a Medieval Village. Its a wonderful book and I’m very pleased that the Newbery folks have once again chosen a work of historical fiction (by far the most frequent category of the Newbery winners, going all the way back to 1922.

For those who don’t know, the Newbery Medal is the Oscar of children’s books. It’s been awarded annually since 1922 and all but one or two of the winners are still in print. They almost always meet the definition of a “living book,” i.e. a book that children will read, even if they’re not forced to!

This is a book written for children to perform! Schlitz has crafted nineteen monologues and two duologues which allow 21 children from the middle ages to tell their own stories. She uses a variety of literary styles, from couplets to complex rhyme schemes to blank verse and straight prose. Each is very compelling – all the more so when read out loud or better yet performed. The characters include Hugo, the lord’s Nephew; Taggot, the Blacksmith’s daughter; Will, the plowboy; Otho the miller’s son; Pask, the runaway; Piers, the glassblower’s apprentice; and Drogo, the tanner’s apprentice. Interspersed among the dramatic presentations are six background essays on:

The Three-Field System
Medieval Pilgrimage
The Crusades
Falconry
Jews in Medieval Society
and Towns and Freedom

This method of presenting information works very well to capture children’s attention, and the biographical pieces will make the middle ages (and the details of what life was like) real in a way that no textbook or reference book can.

Laura Amy Schlitz is the librarian at the Park School in Baltimore. She wrote these pieces for the students at the school who were studying the Middle Ages. The children whose stories she has presented are imagined to be between 10 and 15 years old. The book should appeal to students in that age range – and older students as well. Highly recommended. Good Masters! is a hardback, priced at $19.99, and available directly from Greenleaf Press.

– Rob Shearer
Director, Schaeffer Study Center
Publisher, Greenleaf Press

The Dangerous Book for Boys

dangerous bookThe Dangerous Book for Boys represents a healthy swing of the pendulum away from 20th century post-Christian sensitive new-age-guy feminist parenting. Me? opinionated?

Seriously, this is a book that works on many levels. If you have a pre-teen boy in the house, I can almost guarantee he’ll like this book. And even if he doesn’t like it at first, you should still have one lying around for him to pick up. Sooner or later he will.

knotsThe book is a sort of almanac of “boy’s lore.” The typography, the illustrations, and the article selections are laid out in a sort of cross between the Boy Scout Manual and the old World Book Encyclopedia. The entries are an eclectic mix of lists & lore on topics that boys naturally gravitate to, like “Famous Battles” and “Extraordinary Stories.” There are also some practical academic tips like “Latin Phrases Every Boy Should Know” and three articles on “Understanding Grammar.” But these are not what boys will look at first.

waterloo Boys will most likely gravitate at first to “First Aid,” “Five Pen-and-Paper Games,” “Secret Inks,” “Spies – Codes and Ciphers,” “Making Crystals,” and “Making a Go-Cart.” Also included are the rules for “Stickball,” “Table Football,” and a table of the winning hands at Poker. Near and dear to my heart is the list of “Books Every Boy Should Read” at the end, which includes both Lewis and Tolkien as well as Kipling, Mark Twain, Douglas Adams, and Ian Fleming. I’m less happy with the inclusion of J.K.Rowling, but willing to overlook it and politely disagree.

I do recommend this book for homeschooling families who want to delight in the boyhood of boys. The book is just plain fun to read, with quite a few humorous passages. An example: Point one in the Advice About Girls:

1. It is important to listen. Human beings are often very self-centered and like to talk about themselves. In addition, it’s an easy subject if someone is nervous. it is good advice to listen closely — unless she has also been given this advice, in which case an uneasy silence could develop, like two owls sitting together.

2. Be careful with humor. It is very common for boys to try to impress girls with a string of jokes, each one more desperate than the last. One joke, perhaps, and then a long silence while she talks about herself . . .

The authors are two English brothers (who obviously had great fun together as boys), Conn and Hal Iggulden. Conn Iggulden is also the author of the four-volume historical fiction series on Julius Caesar that I recommended earlier this month.

The Dangerous Book for Boys is a well-bound hardback that sells for $24.95. It came out in May of 2007, and in less than a year has already become a classic and a great gift book. You can order it direct from Greenleaf Press.

daring bookSensing a “Good Thing,” the publisher has, of course, brought out a companion book for pre-teen girls in the same style titled The Daring Book for Girls. Printed prominently on the back, in large type, is the invitation (warning?): “For every girl with an Independent spirit and a nose for trouble, here is the no-boys-allowed guide to adventure.”

It is refreshing to read a book that acknowledges that girls’ interests are different from boys’ and celebrates that fact. There are some commonalities (States, Capitals, Greek & Latin vocabulary) but almost everything here is similar in style, but different in content. The games described are Double Dutch Jump Rope and Softball and Slumber Party Games (quite wholesome). The story selections are on Queens of the Ancient World and Women Spies. The projects are Friendship Bracelets, Watercolor Painting, and Roller Skating. I can’t speak personally, of course, but my younger six daughters looked it over and pronounced it “interesting.” I plan to leave it lying around for them to discover and enjoy on their own.

Like The Dangerous Book for Boys, The Daring Book for Girls is a sturdy hardback, and sells for $24.95. And it can be ordered from Greenleaf Press.

Both books put a smile on my face and made me think that childhood can still be fun and wholesome, and doesn’t require electronic devices to be enjoyed. Recommended for these and many other reasons.

– Rob Shearer
Publisher, Greenleaf Press
Director, Schaeffer Study Center

Where was Patrick Henry on the 29th of May?

Patrick HenryAside from the fact that the title has a marvelously poetic rhythm to it, this is a thoroughly delightful classic children’s biography by an accomplished children’s author. Jean Fritz has written dozens of biographies and a number of very good works of historical fiction. Although its been in print for quite a while, this biography of Patrick Henry remains one of her best.

May 29th is Patrick Henry’s birthday and the “hook” on which she hangs her narrative. She begins by describing what life was like in Hannover County, Virginia in 1736, the year that Patrick was born (four years after the birth of George Washington). She describes his childhood (much time devoted to hunting, fishing, and exploring the wild Virginia forest), his education (taught at home by his father, who had a university degree), and tells some amusing anecdotes remembered by his friends (he was fond of dunking them in the creek by tipping over their canoe!).

Fritz describes Patrick’s improbable introduction to the practice of the law. As a young newlywed in his 20’s, he was helping his father-in-law run an Inn and Tavern. Most of their business came from the quarterly sessions of the county court which Patrick found a fascinating source of entertainment. At 24, he decided that he would like to try his hand at lawyering. This isn’t as improbable as it sounds. Henry was a serious intellect and once the subject of law caught his interest, he applied himself rigorously to mastering it. After “reading the law” for a year, he passed an oral examination by three lawyers in Williamsburg and was licensed to practice in the colonial courts.

Fritz then describes the first big case that established Henry’s reputation as a gifted orator and a legal mind to be reckoned with: the “Parson’s Case” of 1763. A group of Virginia parsons appealed a Virginia colonial law which converted the obligations of their parishioners from payment in tobacco to payment in cash. When the price of tobacco tripled, the Parsons felt they had been cheated and they appealed to the King of England. The King obliged them by vetoing the Virginia law and ordering the colonials to pay up. The Parsons then sued their parishioners for damages and back pay. Patrick Henry, age 27, took the case of the parishioners. Here’s Fritz’s description of what happened at the trial:

“Patrick Henry straightened up, he threw back his head, and sent his voice out in anger. How did the king know how much Virginians could pay their parsons? he asked. What right did he have to interfere? . . . The crowd sat transfixed . . . He talked for an hour. What about the parsons? he asked. Were they feeding the hungry and clothing the naked as the Scriptures told them to? No, he said. They were getting the king’s permission to grab the last hoecake from the honest farmer, to take the milk cow from the poor widow.”

The jury awarded the Parsons damages and back pay – but set the amount at one penny for each Parson.

Two years later, age 29, Patrick Henry was elected to the House of Burgesses, the legislature of the colony of Virginia. His first speech was a denunciation of King George and Parliament’s imposition of the Stamp Act – taxes on the colonies, imposed without their consultation or consent. He denounced the King in such strong language, that the king’s defenders rose to their feet and shouted, “Treason!” Patrick Henry’s reply was, “If this be treason, make the most of it!”

Ten years later, in 1775, age 39, Patrick Henry delivered his most famous speech. Henry had had enough of the King’s treatment of the colonists. He perceived correctly, that the King had already dispatched troops from England to force the colonists to pay the taxes he demanded.

“Gentlemen may cry peace, peace,” he thundered, “but there is no peace. . . Is life so dear or peace so sweet as to be purchased at the price of chains and slavery?” Patrick bowed his body and locked his hands together as if he, himself were in chains. Then suddenly he raised his chained hands over his head. “Forbid it, Almighty God!” he cried. “I know not what course others may take but as for me –” Patrick dropped his arms, threw back his body and strained against his imaginary chains until the tendons of his neck stood out like whipcords and the chains seemed to break. Then he raised his right hand in which he held an ivory letter opener. “As for me,” he cried, “give me Liberty or give me Death!” And he plunged the letter opener in such a way as it looked as if he were plunging it into his heart.”

Dramatic, no? The crowd went wild.

Virginians responded by electing Patrick Henry to be their governor for five consecutive terms. He was succeeded by Thomas Jefferson.

Patrick Henry went on to oppose ratification of the Federal Constitution in 1788 because it lacked a Bill of Rights.

He retired from politics in 1796 at the age of 60. I LOVE Fritz’s description of Henry’s life after politics:

“He lived just as he liked to live — knee-deep in dogs and children. Dorothea added eleven children to the family and, of course, by this time there were grandchildren too. Patrick encouraged all of them to go barefoot. He didn’t like to see children in shoes until they were six or seven years old and he believed that, if possible, they should avoid the inside of a schoolhouse until they were twelve. Nature, itself, was the best teacher, he said, and in his old age, as in his younger years, he took every opportunity to enjoy it. Come a nice spring day and Patrick Henry might be off to the wood, one child in the saddle before him and one behind. Or he might be walking down to the river, trailed by a string of children and dogs. Or he might be simply sitting in the shade of the huge old orange osage tree that spread its branches over most of the front lawn. He’d have some children with him, or course; his fiddle would be handy, and beside him would be a bucket of cool spring water with a gourd for drinking.”

This is a delightful book. A wonderful biography of a true American original. Patrick Henry, Virginia gentleman.

You can order the book directly from Greenleaf Press by clicking here.

-Rob Shearer,
Director, Schaeffer Study Center
Publisher, Greenleaf Press