The Renaissance

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It will be some time before we are able to get these printed, but in the meantime we wanted to make them available to anyone who is interested. You can browse online here or download a .pdf to your own computer. You can even print your own copy if you’d like.

Our history study packages are typically designed for use in one semester, so now’s the time to order for the new year. Break out of the textbook box. Give your children real stories about real people. Reclaim history for them and for yourself.
Greenleaf Press 2010 Retail Catalog

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Galileo Galilei is one of the key figures in the history of science. One of his most famous exploits occurred when he was a young man of 26 at the very beginning of his career. In 1589, he had just been appointed as a Professor at the University of Pisa. Refusing to take Aristotle’s word as final on the behavior of falling bodies, Galileo climbed the Leaning Tower of Pisa (actually the bell tower for the cathedral) and dropped various objects of different sizes and weights to test the idea that all bodies fall at the same rate. As it turned out, Aristotle was wrong – a fact which Galileo almost certainly knew before he conducted his very public demonstration.

This is a delightful children’s book by Wendy Macdonald of Australia and illustrated by Paolo Rui of Milan, Italy. It tells the story of Galileo’s famous experiment and makes the story accessible to children by introducing the character of Massimo, who looks to be about eight or nine. Galileo meets Massimo as he crosses the bridge where Massimo has been stationed with a mission to drop food onto the boat owned by his uncle as it passes underneath. Galileo stops to chat with the boy. He is intrigued as he observes that a heavy wheel of cheese and a much lighter loaf of bread land on the deck of the boat passing beneath the bridge at the same time. Massimo is surprised to discover that the young man talking to him is a professor at the University.

Watching Massimo drop food to his uncle from the bridge leads Galileo to begin questioning Aristotle, who stated that heavier things fell faster than lighter things. Massimo thinks about what Galileo has said and conducts his own experiments from the roof of his family’s farmhouse. This leads to a visit by Massimo to Galileo’s offices at the university. From there, it is only logical that Massimo will be Galileo’s assistant when he stages his very public demonstration from the top of the “Leaning Tower.”

Massimo is fictional, but Galileo’s observations and experiment from the top of the Tower are well-documented. The publisher lists this book’s target audience as children, ages 4 to 8. The text could certainly be read to younger children, but I think the history and science involved will be of interest to students through upper elementary and age 10-12.

The illustrations capture the feel of late Renaissance / early modern Italy and the excitement and optimism of the young Galileo as he studies the natural world directly and challenges Aristotle. It was a very important moment in the history of science – and a worthwhile story told in a very entertaining way.

Galileo’s Leaning Tower Experiment is 32 pages, available as a hardback for $16.95 or as a paperback for $7.95 directly from Greenleaf Press.

Highly recommended for your study of the Renaissance, the Age of Explorers, or to go along with Famous Men of the 16th & 17th Century (which has a chapter on Galileo).

- Rob Shearer, Publisher

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Just ran across Shelley Esaak’s art history section at About.com. I recommend it highly. She’s a delightful writer with a direct style and has a way of making art accessible, interesting, and fun.

Her descriptions of what these three titans would be like as dinner party guests seemed to me “spot on” as well as delightfully funny:

Leonardo: As a dinner guest, would monopolize all conversation (but so interestingly, none would complain), enjoy the soup (and write down half of a new, improved recipe – wandering off, midway through, to fix the leaky faucet – never to finish writing the other half), linger long enough that all would beg him to stay and leave to a loud chorus of “Come back soon!”, whilst misappropriating a wine glass and forgetting his hat.

Michelangelo: As a dinner guest, would participate in conversation just enough to avoid outright rudeness, slurp the soup (probably complaining about its lack of salt to others, after the fact) and leave early, after eating two desserts and squirrelling a third into his napkin-lined pocket.

Raphael: As a dinner guest, would bring a hostess gift, engage everyone at the table in delightful conversation, praise the soup, stay exactly the perfect amount of time and send flowers the next day.

from Art History 101 – The High Renaissance
The Big Three Names of the High Renaissance
By Shelley Esaak, About.com

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Greenleaf Press proudly announces the publication of Voices of the Renaissance and Reformation, edited by Robert G. Shearer. Voices includes 31 original source selections by 19 of the key figures from the Renaissance and Reformation.

The Renaissance selections include sonnets by Petrarch, a letter by Lorenzo de’ Medici, excerpts from the notebooks of Leonardo da Vinci, sermons by Savonarola, and excerpts from Machiavelli’s The Prince.

The Reformation selections include important writings from Martin Luther, John Calvin, and John Knox including autobiographical accounts of their own conversions. Also included are The 67 Articles of Ulrich Zwingli, the Schleitheim Confession by Michael Sattler, and the Reply of John Wycliffe to his Summons by the Pope to come to Rome.

We are particularly pleased to be able to include in this collection several recently published texts from the Reformation, including two letters from Conrad Grebel (the leader of the Anabaptists in Zurich) to Thomas Müntzer, the leader of the Peasant Rebellion, written in 1525. The letters of Grebel are included by permission from Herald Press of Scottsdale, PA.

Also included in the collection is a lengthy selection from William Tyndale’s An Answer Unto Sir Thomas More’s Dialogue in which Tyndale eloquently defends his translation of the New Testament into English and his use of the words congregation, elder, and love (rather than church, priest, & charity) which More had charged were serious errors.

The selections from Martin Luther include the complete text of The 95 Theses (1517), as well as lengthy selections from his three great essays of 1520:

  • Address to the Christian Nobility of the German Nation ( Aug 1520)
  • On the Babylonian Captivity of the Church ( Oct 1520)
  • On the Freedom of a Christian (Nov 1520)

The selections from John Calvin include The Geneva Confession of 1536 and his Reply to Cardinal Sadoleto, written in 1539.

Editor Robert Shearer observed, “Textbooks provide an overview of a time period. A biography helps us to understand the significance of a historical figure, but if you really want to know the people and the times, you must read what they wrote in their own words.”

The source collection should prove to be a valuable resource for students of all ages who wish to study the Renaissance and Reformation, particularly for high school and college students.

Voices of the Renaissance and Reformation is an 8″x10″ paperback, 194 pages and is available for $18.95 directly from Greenleaf Press.

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Lives of the Ancient Egyptians: Pharaohs, Queens, Courtiers and Commoners
by Toby Wilkinson (Thames & Hudson, 2007)

100 biographies – Many Pharaohs, but there are others, including Imhotep the Architect; Metjen, Pharaoh’s servant; Perniankhu, court dwarf; Hemira, priestess from the Delta; Senenmut, Hatshetsup’s Architect.

Of course Hatshepsut, Akhenaten, and Tut get their own chapters as do a host of other, more obscure rulers. I’m looking forward to it. And one day, I’m going to write a Famous men of Egypt for Greenleaf to publish.
The Montefeltro Conspiracy: A Renaissance Mystery Decoded
by Marcello Simonetta

An Italian Ph.D. student at Yale (himself a descendant of one of the Renaissance Chancellors of Milan) uncovers evidence of the involvement of the Duke of Urbino in the plot to murder the Medici carried out (with the blessing of the Pope) in 1478.

Murder, mystery, conspiracy, coded letters, Renaissance history – what’s not to like?

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Just published!

Pippo is the nickname of Filippo Brunelleschi. He was a goldsmith in Florence with a knack for design. When a contest is announced to design a dome for the cathedral, Pippo decides he will compete. His rivals (older, wealthier, more accomplished) scorn him and laugh at his ideas. But Pippo is the only contestant who has worked out all the practical details of how to build a dome that will be 300 feet tall!

Fern and Estrada have created a delightful story for children about this important event from the history of the Renaissance in Florence. Brunelleschi won the competition and spent sixteen years supervising the construction of the dome. In order to make it work, he had to invent new kinds of bricks, new patterns for fitting them together and quick-drying mortar to hold them in place.

When the Dome was finished, Pippo the Fool is recognized as Pippo the Genius

The text in this delightful story is written for children 8 through 12, but the story will hold the attention of even older students.

Pippo the Fool is a hardback, 48 pages and sells for $15.95 directly from Greenleaf Press.

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